Guerilla Knitting

'Tree in a row' by The Guerilla Girls

‘Tree in a row’ by The Guerilla Girls

During the recent yarn-bombing event for Culture Night in Mullingar, a number of people were intrigued by the idea of covering public buildings, sculptures and trees in colourful knitwear. As some had never heard the term yarn-bombing before, I’m focusing this blog post on the origin of this art-form also called yarn-graffiti or ‘guerrilla knitting’.

The start of the yarn-bombing movement has been attributed to Magda Sayeg from Houston, Texas, who, back in 2005 and on a whim, knitted a cover for the doorknob of her shop. She was pleasantly surprised, if not slightly taken aback by the response she got from amused customers and passers-by. So it spurred her on to do more.  Madga, a self-taught knitter also known as PolyCotN, founded the “Knitta Please” group as a way to deal with unfinished knitted projects.  The group started to reclaim and personalize public spaces by wrapping lampposts, telephone poles, benches and signage with knitted or crocheted material. These yarn installations were decorative, fun and non-permanent art pieces. In 2006, Bergère de Fance, the manufacturer of French yarns invited the group to Paris to celebrate their 60th anniversary, and on the occasion Notre Dame de Paris among many other buildings were tagged in a colourful way.

yarnbomb paris

From its modest origins, yarn-bombing or yarn graffiti began to be practised throughout the world and a renewed interest in knitting and crocheting emerged especially among young people. Knitting and crocheting groups began to run their own art projects and create wonderful and intricate installations, some with a political twist. The Knit Knot Tree by the Jafagirls in Yellow Springs, Ohio gained international attention in 2008 while Londoner Lauren O’Farrell came up with the concept of street stitched stories and founded the collective ‘Knit the City’. Its four active members are Deadly Knitshade, The Fastener, Shorn-a-the Dead and Lady Loop. The aim of this group of knitters is to guerrilla-knit London and beyond and bring the art of stitching to a world without wool.

While yarnbombing is about passionate knitters and crocheters coming together to create fun public installations incognito and making people smile, it can also be a political medium through which to send a strong message to the community and the world at large. For that reason, it is recognized as being part of  the wider craftivism movement.

yarn cracksKnitting and crocheting is an activity that has been associated with women and the home and conjures up ideas of homely domesticity and tradition but in the last few years, it has undergone a complete revival. A younger generation is eager to learn, be creative and enjoy this wholesome craft along with the women (and some men) who pass on the skills. According to Betsy Greer, the author of Knitting for Good, published in 2008, “For these new knitters, their craft represents much more than the finished project; their knitting is a way to slow down in a fast-paced culture, subvert producers of mass manufactured merchandise, embrace the domestic, connect to people in their community, support communities across the globe, and express their own personal style and creativity.”

As a form of street art yarn-bombing is relatively new: the colourful coverings that liven up and personalize, dull impersonal urban spaces or it may be done to make a political statement usually in a humorous, gentle, peaceful manner. Yarn-bombers are principally women and therefore some feel that there is a feminist element in this art/craft movement. Guerilla knitting is quite a marginalized art form as is any type of street graffiti: it is ephemeral, outdoors and often done anonymously. It is now quite widespread a means of expression that spans across the generations and across the globe.

tank pink

In May 2006, in Copenhagen’s main square, a WWII tank was covered with more than 4,000 pink squares, woven together from the handiwork of hundreds of knitters as a symbolic act of protest against Denmark’s involvement in the Iraq war.

In the Autumn of 2010, the yarn-bombers, Strick and Liesel, two German students, Nein Dankefounded the Fluffy Throw-up project in Berlin to protest against their government’s nuclear laws.   “Fluffy stands for the softness of the wool we are using,” said one member of this knitting duo. “The term ‘throw-up’ comes from the graffiti scene and means ‘to leave a quick tag’ somewhere, a kind of signature. The other meaning of ‘throw up’ is ‘to vomit’, which we refer to on purpose. In a fluffy, non-violent way we want to ‘throw up’ in anger about things that annoy us.”

PS: Note that International Yarn-bombing Day is on 7th June 2014! Be ready!


Wolly London

On a recent visit to London I had a chance to spend some time discovering a fabulous wool shop in Islington called ‘Loop’. A small boutique full of absolutely amazing natural yarns.  All hand dyed and sold only in skeins the wools are sourced from small independent wool manufacturers from around the world. The most extensive collection of books to do with wool, knitting, spinning can be found upstairs as well as more colourful and delicate yarns. For a similar boutique in Dublin ‘This is Knit’ is the place to go.

The yarns I got come from Peru, Canada and Uruguay and they are made of alpaca, Merino wool and cashmere.  The alpaca is extremely light, soft to the touch, silky and warm. It is a fine, durable and hypoallergenic fibre, which is also naturally water-repellent. This yarn is naturally silvery rose.  The Alpacas originate from South America and their fleece comes in twenty-two natural shades!

One of the merino wool yarns is hand-dyed in bright shades of greens , yellowy-orange and hazelnut tones. Another one is kettle-dyed and varies in tone from rusty oranges to reddish pinks and lime green.  One other hand-dyed yarn is a fine mix of merino wool and cashmere with shades of blues, purples, greens, yellows and pinks.

Merino wool comes mainly from Australia and New Zeland. It is a fine fibre that retains heat and absorbs moisture, so it is ideal for hats and scarves that you can wear outdoors when the weather is not the best.

Cashmere is a strong, warm, light and soft fibre which is extremely fine in texture. A cashmere goat can produce an average 150gr of wool per year. Cashmere occurs naturally in greys, browns and whites. Mongolia is the second largest producer of Cashmere wool after China.

Another great encounter over the weekend was with textile designer Claire-Anne O’Brien who was kind enough to meet me at her studio. I was eager to see one of her wool stools again, having first seen it briefly at the Future Makers stand at the Interior Design and Art Fair in Dublin in May 2011. I was utterly blown away by her quirky use of wool. Her pieces are works of art. I particularly like the simple yet intricate patterns she uses to create unusual organic furniture items. My favorite piece is a cream round stool, with doughnut-shapes across the seat linked together in their centre by a thick wooly string.  Claire-Anne hand or machine knits all her pieces and has a team of knitters in the UK. She is keen to have some knitters in Ireland and will soon source her wool from here also. Work by Claire-Anne is available exclusively at Makers and Brothers in Dublin.